Pierre Moulin is a French artist and art director whose work explores the interaction between natural forces, questioning our place within ecosystems, where the intimate enters into dialogue with the cosmic. He offers a poetic and radical vision of the living, in which humans learn to listen, to step back, and to become part of the world once again.

Trained at the École Nationale Supérieure d'Arts de Paris-Cergy and GOBELINS, his practice moves between contemporary art, cinema, and video games, where he primarily works with mediums such as virtual reality, video games, and 3D printing.

Pierre Moulin creates sensory works in which the human body dissolves into organic narratives. His research into biology and geology informs a reflection on the rhythms of the living world, non-human forms of intelligence, and the invisible dynamics that shape matter. By weaving together the life sciences and visual experimentation, he questions our relationship with the environment through sensitive forms in which knowledge emerges from intuition, listening, and drifting. From this approach emerges a vision of the world in which the boundaries between the human and the non-human become porous, shifting, and fertile.

He also took part in the creation of Distraction, a collective of digital artists focused on video games and real-time practices, dedicated to the development of French digital experiences. In parallel, he collaborates with Jakob Kudsk Steensen, notably as part of a project commissioned by the Fondation Louis Vuitton, a video installation entitled The Song Trapper.

After the Shell – Le Grand Silence, his latest VR experience, is currently being presented at various festivals during the 2026–2027 season, with an international premiere in the XR Competition at the Kaohsiung Film Festival.